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András Petőcz: Letter "A" (concrete poem, 1989) Petőcz has published around 25 books, including poems for adults and children, essays, fiction and reviews. Petőcz poetry volumes include the book A tenger dícsérete (1994, ISBN 963-7971-51-3 ), [b] and the poetry collections Meduza (2000, ISBN 963-9048-83-6 ) and A napsütötte sávban ...
Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
Mary Ellen Solt, née Bottom (July 8, 1920 in Gilmore City, Iowa – June 21, 2007) was an American concrete poet, essayist, translator, editor, and professor. Her work was most notably poems in the shape of flowers such as "Forsythia", "Lilac", and "Geranium". They were collected in Flowers in Concrete (1966).
Judith Copithorne works with concrete poetry and other types of experimental writing in prose, poetry and visual poetry. Her core themes include domestic space and community. [ 2 ] Copithorne writes between text and visual forms, with early work combining text with abstract line drawings, called Poem-drawings.
Zang Tumb Tumb (usually referred to as Zang Tumb Tuuum) is a sound poem and concrete poem written by Filippo Tommaso Marinetti, an Italian futurist. It appeared in excerpts in journals between 1912 and 1914, when it was published as an artist's book in Milan .
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The two are also interdependent and "without concrete poetry the current forms of visual poetry would be unthinkable". [10] The academic Willard Bohn, however, prefers to categorize the whole gamut of literary and artistic experiment in this area since the late 19th century under the label of visual poetry and has done so in a number of books ...