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The Panchatantra is an ancient Sanskrit collection of stories, probably first composed around 300 CE (give or take a century or two), [1] though some of its component stories may be much older. The original text is not extant, but the work has been widely revised and translated such that there exist "over 200 versions in more than 50 languages."
The Panchatantra, states Patrick Olivelle, tells wonderfully a collection of delightful stories with pithy proverbs, ageless and practical wisdom; one of its appeal and success is that it is a complex book that "does not reduce the complexities of human life, government policy, political strategies, and ethical dilemmas into simple solutions ...
Based on analysis of various Indian recensions and the geographical features and animals described in the stories, Kashmir [7] is suggested to be his birthplace by various scholars. He has also been associated with the University of Taxila. [8] The prelude narrates the story of how Vishnu Sharma supposedly created the Panchatantra.
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Durgasimha (c. 1025) was the minister of war and peace (Sandhi Vigrahi) of Western Chalukya King Jayasimha II (also known as Jagadekamalla, r. 1018–1042). [1] Durgasimha adapted the well-known set of fables, Panchatantra ("The five stratagems"), from Sanskrit language into the Kannada language in champu style (mixed prose and verse).
The earliest reference to the Blue Jackal can be found in Panchatantra, a collection of stories which depict animals in human situations (see anthropomorphism, Talking animals in fiction). In each of the stories every animal has a "personality" and each story ends in a moral. [citation needed]
Vetala Tales [1] is a popular collection of short stories from India of unknown age and antiquity, but predating the 11th century CE. It exists in four main Sanskrit recensions (revisions). In addition, there also exists many modern translations into Indian and other vernaculars.
The stories and their order in Tantrakhyayika within Book 10 are consistent with the tales and arrangement of the Kalila wa Demna more than even the Panchatantra, and it would appear therefore that we have in the Kathasaritsagara an earlier representative of the original collection than even the Panchatantra, at least as it is now met with.