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Deus ex machina in Euripides' Medea, performed in 2009 in Syracuse, Italy; the sun god sends a golden chariot to rescue Medea.. Deus ex machina (/ ˌ d eɪ ə s ɛ k s ˈ m æ k ɪ n ə, ˈ m ɑː k-/ DAY-əs ex-MA(H)K-in-ə, [1] Latin: [ˈdɛ.ʊs ɛks ˈmaːkʰɪnaː]; plural: dei ex machina; 'God from the machine') [2] [3] is a plot device whereby a seemingly unsolvable problem in a story is ...
Nec deus intersit, nisi dignus vindice nodus (inciderit) That a god not intervene, unless a knot show up that be worthy of such an untangler "When the miraculous power of God is necessary, let it be resorted to: when it is not necessary, let the ordinary means be used." From Horace's Ars Poetica as a caution against deus ex machina.
Deus caritas est: God Is Love: Title and first words of the first encyclical of Pope Benedict XVI. For other meanings see Deus caritas est (disambiguation). deus ex machina: a god from a machine: From the Greek ἀπὸ μηχανῆς θεός (apò mēchanēs theós). A contrived or artificial solution, usually to a literary plot.
Eucatastrophe in fiction has been labelled by some as a form of deus ex machina, due to both sharing an impossible problem being suddenly resolved. [5] [6] However, differences between the two have been noted, such as eucatastrophe's inherent connection to an optimistic view on the unfolding of events in the narrative of the world. [7]
Deus caritas est: God Is Love: Title and first words of the first encyclical of Pope Benedict XVI. For other meanings see Deus caritas est (disambiguation). deus ex machina: a god from a machine: From the Greek ἀπὸ μηχανῆς θεός (apò mēchanēs theós). A contrived or artificial solution, usually to a literary plot.
Ex Machina is a portion of the phrase deus ex machina, meaning "god from the machine". It may refer to: Fiction. Ex Machina, a comic book series by Brian K ...
The Latin phrase "deus ex machina" has its origins in the conventions of Greek tragedy, and refers to situations in which a mechane (crane) was used to lower actors playing a god or gods onto the stage at the end of a play. The Greek tragedian Euripides is notorious for using this plot device as a means to resolve a hopeless situation.
This stage machine was particularly used to bring gods onto the stage from above, [1] hence the Latin term deus ex machina ("god from the machine"). Euripides ' use of the mechane in Medea (431 BC) is a notable use of the machine for a non-divine character.