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See also Cantonese love-songs, translated with introduction and notes by Cecil Clementi (1904) or a newer translation of these by Peter T. Morris in Cantonese love songs : an English translation of Jiu Ji-yung's Cantonese songs of the early 19th century (1992). Cantonese character versions of the Bible, Pilgrims Progress, and Peep of Day, as ...
The Institute of Language in Education Scheme (Chinese: 教院式拼音方案) also known as the List of Cantonese Pronunciation of Commonly-used Chinese Characters romanization scheme (常用字廣州話讀音表), ILE scheme, and Cantonese Pinyin, [1] is a romanization system for Cantonese developed by Ping-Chiu Thomas Yu (Chinese: 余秉昭) in 1971, [2] [3] and subsequently modified by the ...
The Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì wén), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four ...
粵語拼盤: Learning the phonetic system of Cantonese; Chinese Character Database (Phonologically Disambiguated According to the Cantonese Dialect) The CantoDict Project is a dedicated Cantonese-Mandarin-English online dictionary which uses Jyutping by default; MDBG free online Chinese-English dictionary (supports both Jyutping and Yale ...
Cantonese is an analytic language in which the arrangement of words in a sentence is important to its meaning. A basic sentence is in the form of SVO, i.e. a subject is followed by a verb then by an object, though this order is often violated because Cantonese is a topic-prominent language.
The Cantonese they speak is substantially different from the Hong Kong version considered standard. In China, people in many regions learn Mandarin in school while speaking another dialect at home.
Sidney Lau romanisation is a system of romanisation for Cantonese that was developed in the 1970s by Sidney Lau for teaching Cantonese to Hong Kong Government expatriates. It is based on the Hong Kong Government's Standard Romanisation which was the result of the work of James D. Ball and Ernst J. Eitel about a century earlier.
Cantonese was also used in the popular Yuè'ōu, Mùyú and Nányīn folksong genres, as well as Cantonese opera. [14] [15] Additionally, a distinct classical literature was developed in Cantonese, with Middle Chinese texts sounding more similar to modern Cantonese than other present-day Chinese varieties, including Mandarin. [16]