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Oil on canvas Woman Looking in a Mirror: c. 1772: Utah Museum of Fine Arts (Salt Lake City) Love as Folly: c. 1773-1776: National Gallery of Art (Washington, D.C.) Oil on canvas Love the Sentinel: c. 1773-1776: National Gallery of Art (Washington, D.C.) Oil on canvas The Love Letter: 1770–1775 Girl with Dog: 1770–1775 Alte Pinakothek (Munich)
Wosene explained that he does not pre-sketch paintings, "my process is inchoate and exploratory: the interplay of accident and intention, of mastery and uncertainty, of curiosity and discovery. Quick-drying acrylics allow me to easily build and destroy colors and figures on canvas."
It is an oil on canvas painting of 111x282 cm. [Notes 2] [5] [6] It is signed by the artist in the lower left corner: N. Fechin. [7]Nicolai Fechin depicted an episode of the wedding ceremony of the Mari (pre-revolutionary name — Cheremis) — the taking away of the bride from her parents' house.
Aacrylic and oilstick on canvas mounted on wood supports 60 1/2 x 60 1/2 in $4.2 million (2014) [84] Private collection 1982 Santo 3: Acrylic, oilstick, crayon, paper collage on canvas with wood supports 36 x 36 in $4.9 million (2019) [26] Private collection 1982 Self-Portrait: Acrylic, oil paintstick, and spray paint on canvas 76 x 94 in [85]
New Delhi, National Gallery of Modern Art: 49.5 × 62 cm Oil on canvas [28] Likely the store called Printemps that she took a sketch of in June 1932. [44] 1932: The Blue Danube: Whereabouts unknown [28] Painted in Hungary. [28] 1932: Hungarian Gypsy Girl: New Delhi, National Gallery of Modern Art: 81.3 × 52.7 cm Oil on canvas [28]
Self Portrait, oil on canvas, 1652. Kunsthistorisches Museum, Vienna. The first for several years. As in the drawing of the same year, Rembrandt wears his working clothes, except perhaps for his hat, which draws on historical styles and earlier portraits. [29]