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The modern 'Bramante' spiral stairs of the Vatican Museums, designed by Giuseppe Momo in 1932 The modern double helix staircase, also in the Pio-Clementine Museum, and commonly referred to as the "Bramante Staircase", was designed by Giuseppe Momo, sculpted by Antonio Maraini and realized by the Ferdinando Marinelli Artistic Foundry in 1932 and was inspired by the original Bramante Staircase.
The Bramante Staircase is a double spiral staircase designed by Giuseppe Momo in 1932. The staircase has two parts, a double helix, and is of shallow incline, being a stepped ramp rather than a true staircase. It encircles the outer wall of a stairwell about fifteen metres (49 feet) wide and with a clear space at the centre.
The spiral stair is a type of stairway which, due to its complex helical structure, has been introduced relatively late into architecture. Although the oldest example dates back to the 5th century BC, [ 1 ] it was only in the wake of the influential design of the Trajan's Column that this space-saving new type permanently caught hold in ancient ...
The chapel was commissioned by the Sisters of Loretto for their girls' school, Loretto Academy, in 1873. Archbishop Jean-Baptiste Lamy had brought in two French architects, Antoine Mouly and his son Projectus, to work on the St. Francis Cathedral project, and suggested that the Sisters could make use of their services on the side to build a much-needed chapel for the academy. [4]
The Renaissance Golden staircase built by Diego de Siloé in the early 1520s. It was modelled on the stairway of the Cortile Belvedere by Bramante (in the Vatican). The Santísimo Cristo de Burgos, image of great devotional tradition. The tomb of El Cid and his wife Doña Jimena, his letter of Down payment and his chest.
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Donato Bramante [pron 1] (1444 – 11 April 1514), [4] born as Donato di Pascuccio d'Antonio [5] and also known as Bramante Lazzari, [6] [7] was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome , where his plan for St. Peter's Basilica formed the basis of the design ...
Bramante would have been aware of these early Christian precedents, and as a result, the Tempietto is circular. The Tempietto is one of the most harmonious buildings of the Renaissance. The temple was constructed from bearing masonry. The circular temple supports a classical entablature, and was framed in the shadowy arch of the cloister.
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