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The spiral is used by some polytheistic reconstructionist or neopagan groups. As a "Celtic symbol", it is used primarily by groups with a Celtic cultural orientation and, less frequently, can also be found in use by various eclectic or syncretic traditions such as Neopaganism.
Spirals, step patterns, and key patterns are dominant motifs in Celtic art before the Christian influence on the Celts, which began around 450. These designs found their way into early Christian manuscripts and artwork with the addition of depictions from life, such as animals , plants and even humans .
Celtic mazes are straight-line spiral key patterns that have been drawn all over the world since prehistoric times. The patterns originate in early Celtic developments in stone and metal-work, and later in medieval Insular art. Prehistoric spiral designs date back to Gavrinis (c. 3500 BCE). [1]
In the TV series The Walking Dead (2010), Michonne's katana features a triquetra, chosen for its meaning as a "triple goddess symbol". [ 8 ] [ 9 ] In the German Netflix series Dark (2017), it symbolizes the caves' closed time loops with each loop being 33 years apart, with the past affecting the future and the future influencing the past.
Celtic pagans have been accused of cultural appropriation and ignoring living Celtic communities, particularly because of the neo-pagan concept of "elective affinity", whereby identification as Celtic is a personal choice; [24] [25] [26] Celtic reconstructionists seek to be aware of this danger and to participate in living Celtic cultures. [27]
This symbol was known as the whirling sun in ancient times. [2] Enamel was a Celtic speciality, and reflects the use of red Mediterranean coral inlays in other British Celtic artefacts, such as the Witham Shield , and here may perhaps be considered as an imitation of imported coral, though the use of enamel allows a more elaborate design.
Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering, zoomorphics, plant forms and human figures. As the archaeologist Catherine Johns put it: "Common to Celtic art over a wide chronological and geographical span is an exquisite sense of balance in the layout ...
It assigns plant names and meanings to the Ogham alphabet, to a lesser extent to Norse Younger Futhark runes, and by extension to Latin letters when used to write Gaelic. Robert Graves ' book The White Goddess has been a major influence on assigning divinatory meanings to the tree symbolism.