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Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a ...
The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen. It has a long soundbox with the steel strings, movable ...
The girl on the far right is playing the đàn tỳ bà. The đàn tỳ bà or đàn tì bà (Vietnamese: [ɗàːn tì ɓàː], Chữ Nôm: 彈琵琶) is a Vietnamese traditional plucked string instrument derived from the Chinese pipa, [1] That first gained popularity in China before spreading throughout East Asia, eventually reaching Vietnam sometime during the Trần dynasty.
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Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. [1] [2] Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement.
Heraldry developed in the high medieval period, based on earlier, "pre-heraldic" or "ante-heraldic", traditions of visual identification by means of seals, field signs, emblems used on coins, etc. Notably, lions that would subsequently appear in 12th-century coats of arms of European nobility have pre-figurations in the animal style of ancient ...
The word đá means "stone" in Vietnamese, đàn is instrument. The term đàn đá is of recent origin among Vietnamese musicologists, it had also been referred to as a đàn goong, a Vietnamese gong. [1] Several stones of different sizes are placed in a row. The player then uses a stick to knock the stones, each of which produces a different ...
Sáo is the literal Vietnamese word for "flute". The most common variety is played with the flutist holding the sáo transversely to the right side with their mouth placed at the blowing hole. Other varieties include the Sáo Dọc , a kind of recorder similar to the Thai Khlui , the Sáo Bầu , and the Sáo Ôi , a recorder played by the ...