Search results
Results From The WOW.Com Content Network
Chic frontman Nile Rodgers has said music streaming as a process is “amazing” but the business that surrounds it has changed the industry “considerably – and not for the better”.
Hits is an American music industry trade publication. Founded by Lenny Beer and Dennis Lavinthal, who had previously worked in independent promotion, it was launched as a print magazine in August 1986. [1] By 1997, it had become the most successful tip sheet in the music world. [2] An online version of the magazine, Hits Daily Double, premiered ...
Music Maker Publications is a publishing company established in Ely, Britain in 1986, [1] that specialized in books and magazines relevant to the music industry. [2] Magazines published by Music Maker have included Music Technology (later MT and The Mix), Guitarist, Guitar Techniques, Bassist, Rhythm, Home & Studio Recording, Home Keyboard Review (later Keyboard Review), and Hip Hop Connection.
In the Spring 2025 Imagemakers issue of 'InStyle,' singer and rapper Saweetie talks about her debut album, Jenna Dewan shares a personal essay about her divorce from Channing Tatum, Patrick ...
AI music software companies say that their tools can bridge the music education gap. But some artists are skeptical about the effects of such tools. AI music companies say their tools can ...
The "pop music industry" expects that any particular rock critic will likely disappear from popular view within five years; in contrast, according to author Mark Fenster, the "stars" of rock criticism are more likely to have long careers with "book contracts, featured columns, and editorial and staff positions at magazines and newspapers". [16]
Shania Twain refuses to conform to one set thing. In an exclusive interview with PEOPLE, the singer, 59, opens up about how she has never allowed herself to be contained within the music industry ...
The San Francisco Chronicle called it "the top all-round music mag in the States today" in terms of "covering music from anywhere but the mainstream", [9] and The Washington Post called it the "best" for "a broader spectrum of contemporary music". [8] In 1989, the magazine had subscribers in 26 countries outside the United States. [1]