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The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. It replaced the Renaissance lute as the most common instrument found in the home.
The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...
The sources for this are: an autograph manuscript by Bach, in staff notation on two staves (B-Br Ms.II 4085 MUSI.); and a version in lute tablature made from it by an unnamed lutenist (D-LEm Sammlung Becker, Ms. III.11.3). [1]
The composition is written on the next two pages, on systems of two staffs, with a soprano clef for the upper staff, and a bass clef for the lower staff. Although, in the first half of the 18th century, a tablature notation was common for lute compositions, Kellner thus wrote the Prelude down in a notation which at the time was customary for keyboard compositions. [10]
Sheet music consisting of tablature is sometimes referred to as "tabs." The same style of tablature is also used for other fretted instruments such as the banjo, mandolin, and ukulele. The following examples are labelled with letters on the left denoting the string names, with a lowercase e for the high E string. Tab lines may be numbered 1 ...
Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers.
Thus an 8-course Renaissance lute usually has 15 strings, and a 13-course Baroque lute has 24. The courses are tuned in unison for high and intermediate pitches, but for lower pitches one of the two strings is tuned an octave higher (the course where this split starts changed over the history of the lute).
A prolific and highly original composer, Kapsberger is chiefly remembered today for his lute and theorbo (chitarrone) music, which was seminal in the development of these as solo instruments. First measures of the tablature of the first tocatta of the libro primo d'intavolatura di chitarone (first book of chitarone tablature) by Johannes ...