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Fauvism (/ f oʊ v ɪ z əm / FOH-viz-əm) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves ( French pronunciation: [le fov] , the wild beasts ), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational ...
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [1] Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it ...
In the West, classical standards of illusionism did not begin to be reached again until the Late medieval and Early Renaissance periods and were helped first in the Netherlands in the early 15th century, and around the 1470s in Italy by the development of new techniques of oil painting which allowed very subtle and precise effects of light to ...
Jean Désiré Gustave Courbet (UK: / ˈ k ʊər b eɪ / KOOR-bay; [1] US: / k ʊər ˈ b eɪ / koor-BAY; [2] French: [ɡystav kuʁbɛ]; 10 June 1819 – 31 December 1877) [3] was a French painter who led the Realism movement in 19th-century French painting.
The dual revolution was a term first coined by Eric Hobsbawm. It refers specifically to the time period between 1789 and 1848 in which the political and ideological changes of the French Revolution fused with and reinforced the technological and economic changes of the Industrial Revolution .
Towards the end of his life, in 1932, Vauxcelles published a monographic essay about Marek Szwarc, dedicated to the Jewish character of Szwarc's oeuvre. "His art, which plunges its roots into the past of the ghettos and in which the moving accent like the ancient songs in the synagogue of Wilna, is a return to popular imagery.
At one end of the political spectrum, reactionaries like Cazalès and Maury denounced the Revolution in all its forms, with radicals like Maximilien Robespierre at the other. He and Jean-Paul Marat opposed the criteria for "active citizens", gaining them substantial support among the Parisian proletariat, many of whom had been disenfranchised ...
The middle and working classes thus shared a desire for reform, and agreed on many of the specific aims. Their participation in the revolutions, however, differed. While much of the impetus came from the middle classes, the physical backbone of the movement came from the lower classes. The revolts first erupted in the cities.