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For working class women in the 1920s, tailored suits with a straight, curve less cut were popular. Throughout the decade, the lengths of skirts were rise to the knee and then to the ankle various times affecting the skirt style of tailored suits. [25] Rayon, an artificial silk fabric, was most common for working-class women clothing. [26]
A new monochrome look emerged that was unfamiliar to young women in comfortable circumstances. Women dropped the cumbersome underskirts from their tunic-and-skirt ensembles, simplifying dress and shortening skirts in one step. [8] By 1915, the Gazette du Bon Ton was showing full skirts with hemlines at calf length. These were called the "war ...
Examples of Le Smoking in a De Young Museum exhibit.. Le Smoking is a women's tuxedo suit created in 1966 by couturier Yves Saint Laurent. [1] The first suit of its kind to earn attention in the fashion world and in popular culture, it was influenced by the androgynous personal style of Saint Laurent model and muse Danielle Luquet de Saint Germain, [2] [3] as well as the evening dress of ...
Many of the pieces she wore in the film were designed by Ralph Lauren, but the designer reportedly based the costumes on Keaton’s own style first and foremost. ... and a white suit. Women ...
Yseult's updated suit was more modern and powerful, celebrating a woman’s form in its truest, purest sense. The white bar jacket and black skirt were a revelation—a celebration of boldness ...
Urban professionals in Asia and the Middle East, for example, might wear Western style suits with indigenous headgear such as the Astrakhan, fez or keffiyeh. In India, the traditional Sherwani was adapted into the Nehru collar business suit, [5] while women frequently wore sarees in the workplace.