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The song peaked at number 32 of the Billboard Hot 100 and became Megan Thee Stallion's eighth top-10 hit on Hot R&B/Hip-Hop Songs, peaking at 10. [19] It also became the rapper's 10th top-10 hit on R&B/Hip-Hop Streaming Songs, debuting at number seven, and topped the R&B/Hip-Hop Digital Song Sales chart. [20]
The song also has lyrics about self-reflection. Some lines explore how her love has worsened her emotional instability. She addresses it by telling the song's subject to let her be: [ 6 ] [ 10 ] "got a brand new reason to spiral out / Bad mood, baby, come work me out / Oh, I'ma crash out, baby, don't slow me down."
"Aint Gotta Dollar", a song about self-reliance without spending money, [25] and ranked Anthony's fourth best by Taste of Country, [26] reached number 1 on the Viral 50 list in Spotify [27] and No. 2 on iTunes. [28] Anthony said that members of the public had reached out to tell him that the song had connected with them powerfully. [29]
Instead, the song falls flat for sounding like five tracks at once, becoming hard to follow. Still, SZA’s rap prowess manages to steal the show. ... LANA, on the other hand, has a completely ...
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
Taylor Swift's fifth track of Midnights “You're On Your Own, Kid” quickly became a fan favorite following the album's release—and feature some of Swift's most brutal, personal lyrics about ...
SZA's various mistakes and insecurities are the focus of the lyrics; it has an additional theme of self-love. [10] In the first verse, she explores how the pressure from being a public figure has contributed to on her reputation as emotionally sensitive. [11] Other lines address her self-destructive tendencies, such as her habit of smoking. [8]
Andy Kellman of Allmusic wrote, "'Gangsta,' a tough ballad about self-reliance with a twist on 50 Cent's "Wanksta," was released in early 2013 as her debut single and topped out at number 40 on Billboard's R&B/Hip-Hop chart. It made for an ideal introduction to her as an autonomous individual and throaty vocalist, but her progress stalled.