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Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons. Freehand creation.
There are several other tattoo patterns and figures: one woman had an ‘ao, which is a ceremonial paddle, tattooed on her back. [3] Fischer also mentions an old woman with a paddle on her back, but calls it a rapa , which is a dance paddle that was tattooed when she lost her virginity.
Tattoo artist Tavana Salmon (13 January 1920 – 24 September 2024) was a French Polynesian culture advocate and tattoo artist. [ 1 ] In 1982, he began his contributions to Polynesian culture through his tattoo practice.
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Tattoo arts are common in the Eastern Polynesian homeland of the Māori people, and the traditional implements and methods employed were similar to those used in other parts of Polynesia. [3] In pre-European Māori culture , many if not most high-ranking persons received moko .
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself.
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
Samoan men who bear the pe'a body tattoo, as well as Samoan women who bear the malu leg tattoos often roll the waistband of the lavalava or tuck in the sides and rear portion(s) of the lavalava to expose their tattoo during dance performances or ceremonial functions (such as 'ava ceremonies), a style referred to as agini.