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"So Long, Farewell" is a song from Rodgers and Hammerstein’s 1959 musical, The Sound of Music. It was included in the original Broadway run and was first performed by the Von Trapp children, played by Kathy Dunn, David Gress, Evanna Lien, Mary Susan Locke, Lauri Peters, Marilyn Rogers, Joseph Stewart, and Frances Underhill.
I Will Remember You (Sarah McLachlan song) I'll See You Again; I'm Hitting the Trail to Normandy: So Kiss Me Goodbye; If Ever I See You Again; If We Ever Meet Again; If You Go Away; If You Gotta Go, Go Now; In Undertow; It'll Be Okay; It's a Long, Long Way to the U.S.A. (And the Girl I Left Behind) It's So Hard to Say Goodbye to Yesterday
"So Long, Farewell" (Reprise) (with Stephen Moyer, Ariane Rinehart, Michael Nigro, Ella Watts-Gorman, Joe West, Sophia Caruso, Grace Rundhaug & Peyton Ell) Rodgers & Hammerstein The Sound of Music: Music from the NBC Television Event: 2013 "So Small" Underwood, Luke Laird, Hillary Lindsey Carnival Ride: 2007 "Softly and Tenderly" Will Lamartine ...
Swifties (like myself) likely immediately recognized the line as a sweet nod to her song “All Too Well” from 2012's Red album and 2021's Red (Taylor’s Version). View this post on Instagram A ...
The Los Angeles-formed rock band — eternally associated with the Southern California country-rock sound — will launch their Long Goodbye tour in New York's Madison Square Garden on Sept. 7 ...
The song is musically similar to "Waterloo". [ citation needed ] Backed with " I've Been Waiting for You ," another song from the ABBA album, the single was a hit in some European countries, although failed to chart in the UK, despite TV promotion [ 2 ] and relatively favourable reviews in the music press.
If there is any song on The Tortured Poets Department’s track list that seems to literally have Taylor Swift’s ex Joe Alwyn’s name on it, it’s “So Long, London.” Lyrically, the song ...
Musically, Spin described the song as "an orchestral power-rocker of sorts, alternating sunnier, almost glam-like chord progressions with more traditional hard rock gestures". [3] The song was written in major key, and features a more upbeat tempo than most songs by the band. [6] [11] [12] The song features driving percussion, dark guitar parts ...