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The German horn is a brass instrument made of tubing wrapped into a coil with a flared bell, and in bands and orchestras is the most widely used of three types of horn, the other two being the French horn (in the less common, narrower meaning of the term) and the Vienna horn.
The Hohner Electravox is an electronic accordion made in the late 1960s and early 1970s, which has one channel (combined left hand and right hand) or two channel (separate left hand and right hand channels, which enables independent volume changes), 92 bass/chord buttons, keyboard percussion effect for the bass buttons and keyboard, a vibrato ...
This is probably the most celebrated horn in the world. Franz Ambros Alexander was the descendant of a French Huguenot family and grew up in Miltenberg, which had been a village of the electoral Mainz during these times. He moved to the main town, joined the local guild and founded a workshop for brass instruments in 1782. [1]
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German classical music is one of the most performed in the world; German composers include some of the most accomplished and popular in history, among them Georg Friedrich Händel, Johann Sebastian Bach, Ludwig van Beethoven, Carl Maria von Weber, Felix Mendelssohn, Robert Schumann, Richard Wagner, Johannes Brahms and Richard Strauss, many of ...
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
The instrument tapers in thickness, until at the top it is about 1.3 centimetres (0.51 in) wide. [13] The instruments were mainly treble cornetts, [26] tuned to the same range as the curved treble cornett, G 3 to A 5. [27] The others found in museums are soprano cornetts, also tuned like curved instruments to E 4 to E 6. [27] [26]
America's Instrument: The Banjo in the Nineteenth Century. University of North Carolina Press. ISBN 0-8078-2484-4. African American: Linn, Karen (1994). That Half-Barbaric Twang: The Banjo in American Popular Culture. University of Illinois Press. ISBN 0-252-06433-X. Argentina: Muñoz, R. (1952). Technology of the Argentina Guitar.