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"The Soft Parade" is a song composed by the American rock group the Doors, though credited to lead singer Jim Morrison only. [4] It was recorded for their fourth studio album, also titled The Soft Parade (1969), appearing as the closing track.
Songs for Sinners & Saints (released as Michael & the Mighty Midnight Revival, Songs for Sinners and Saints) is the seventh studio album by American rapper Killer Mike.It was released in collaboration with his gospel choir, The Mighty Midnight Revival, composed of Lena Byrd Miles, Alicia Peters-Jordan, Jori, Adonica Nunn, Jordan Alyssa and Troy Durden.
We have every one of us a charge to keep, an eternal God to glorify, an immortal soul to provide for, needful duty to be done, our generation to serve; and it must be our daily care to keep this charge, for it is the charge of the Lord our Master, who will shortly call us to an account about it, and it is at our peril if we neglect it.
"I Guess the Lord Must Be in New York City" was covered by Sagittarius in 1969. Their version reached number 135 on the U.S. Billboard Bubbling Under the Hot 100 chart. [11] A version by Wayne Newton reached number 28 on the US Easy Listening chart in the fall of 1969. [12]
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
Sandra began her solo career [2] in 1993 signing to Elektra Records and recording the never-released Sanctuary. Although never released as a St. Victor work, the album has had several songs used by other artists, including the title track "Sanctuary", words used by Prince on his Emancipation CD, retitled and set to his own music as "Soul ...
Michael Wise (born c.1647 in Salisbury, died there 24 August 1687) was an English organist and composer.He sang as a child in the choir of the Chapel Royal as one of the earliest groups of choristers there after the Restoration of King Charles II.
The chord pattern differs little throughout the song. On guitar, it consists of the chords (played with a capo at the fifth fret) of B minor 7, F ♯ minor, A minor 7, F, C, E sus. 7 and E7. A variation from this sequence occurs during the repeated last line of each second verse, with the addition of the chords D7/F ♯ and F major 7. [37]