Search results
Results From The WOW.Com Content Network
"The Slaughterhouse" is the twentieth episode of the fourth season of the American television police sitcom series Brooklyn Nine-Nine and the 88th overall episode of the series. The episode was written by Neil Campbell and directed by Victor Nelli Jr. It aired on Fox in the United States on May 16, 2017, back-to-back with the previous episode ...
Jake and Holt are placed in Florida as part of the witness protection program until the Nine-Nine helps them take down Figgis. The squad is subsequently punished by being placed on the night shift, but are put back on the day shift when Captain Jason "C.J." Stentley is transferred from active duty for his incompetence.
Peretti departed the series in the fourth episode of the sixth season. [4] The following episode, Dirk Blocker and Joel McKinnon Miller, who had previously recurred, were promoted to series regulars. [5] [6] Over the course of its run, Brooklyn Nine-Nine aired 153 episodes. The series was ordered by Fox in May 2013. [7]
[3] Alexis Gunderson of Paste gave the episode a 8.9 and wrote, "The twists within the twists that lead to Jake and Rosa being found (spoiler) guilty are also surprising, a bit of bait-and-switch that might have been obvious had I been in a procedural headspace looking for twists, but caught me by surprise for being tucked into Brooklyn Nine ...
[4] Andy Crump of Paste gave the episode a 7.8 and wrote, "As with most lesser Brooklyn Nine-Nine episodes, any Brooklyn Nine-Nine is good Brooklyn Nine-Nine. Funny though they may be, neither installment of 'The Fugitive' ultimately complements the other, and the lack of narrative unity suggests that the series would have done better by ...
BROOKLYN NINE-NINE -- "The Last Day, Part 2" Episode 810 -- Pictured: Andre Braugher as Ray Holt -- (Photo by: John P. Fleenor/NBC/NBCU Photo Bank via Getty Images)
The episode crosses over with New Girl ' s episode, "Homecoming". The episode was seen by an estimated 2.13 million household viewers and gained a 0.9/3 ratings share among adults aged 18–49, according to Nielsen Media Research. The episode received generally positive reviews from critics, who praised the writing as well as the performances.
[4] Andy Crump of Paste gave the episode a 9.3 and wrote, "That doesn't change in 'Moo Moo,' really, but 'Moo Moo' is, perhaps, the fourth season's best beneficiary to date of Brooklyn Nine-Nine ' s longstanding character developments: Here, the amount of time we've spent investing in its cast pays off with astronomic results, even if there ...