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Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Dancing Girl is a prehistoric bronze sculpture made in lost-wax casting about c. 2300 –1751 BC in the Indus Valley civilisation city of Mohenjo-daro (in modern-day Pakistan), [1] which was one of the earliest cities. The statue is 10.5 centimetres (4.1 in) tall, and depicts a nude young woman or girl with stylized ornaments, standing in a ...
The Sultanganj Buddha was cast in pure, unrefined copper by the cire perdue, or lost wax, technique. Inside there is a clay body, mixed with rice husks that allowed radiocarbon dating . [ 6 ] The figure stands in the "Fearless Posture", with his right hand raised in abhayamudra (a gesture of reassurance or protection), and his left hand is held ...
Dhokra (also spelt Dokra) is non–ferrous metal casting using the lost-wax casting technique. This sort of metal casting has been used in India for over 4,000 years and is still used. One of the earliest known lost wax artifacts is the dancing girl of Mohenjo-daro. [1]
The two bronze sculptures are simply known as “Statue A”, referring to the one portraying a younger warrior, and “Statue B”, indicating the more mature-looking of the two. Both sculptures were made using the lost-wax casting technique. [2]
The lost wax technique. The Victorious Youth, also known as the Atleta di Fano, the Lisippo di Fano or the Getty Bronze, is a Greek bronze sculpture, made between 300 and 100 BCE, [1] in the collections of the J. Paul Getty Museum, displayed at the Getty Villa in Pacific Palisades, California.
This was later adapted to become the technique known today as tracing. By the late Archaic period (c. 500–480 BCE) sphyrelaton lost popularity as lost-wax casting became the primary means of producing bronze sculpture. Lost-wax casting of bronze was achieved in three different ways, each with its own desired effects.
The head is made using the lost wax technique and is approximately three-quarters life-size, measuring 35 cm high. The artist designed the head in a very naturalistic style. The face is covered with incised striations, but the lips are unmarked.