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Conservation treatments include dry cleaning, wet cleaning, consolidation and filling losses. Eastern cultures use Asian lacquer to repair damages and fill and consolidate losses. Western cultures typically use alternate materials that can be reversed with minimal risk to the original object.
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
A bench jeweler is an artisan who uses a combination of skills to make and repair jewelry. Some of the more common skills that a bench jeweler might employ include antique restoration, silversmithing, goldsmithing, stone setting, engraving, fabrication, wax carving, lost-wax casting, electroplating, forging, & polishing. [1] [2]
Painting with Fire (PWF) is the name given to an immersion process for creating torch fired enamel jewelry.This process is the focal point of torch fired enamel jewelry workshops taught by Barbara A. Lewis, written about in her book, and discussed in Belle Armoire Jewelry, [1] [2] [3] Handcrafted Jewelry, [4] Bead Trends, [5] Stringing [6] and Bead Unique.
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Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating.
Firestain is a layer of oxides that is visible on the surface of objects made of metal alloys containing copper when the object is heated, as by a jeweler heating a ring to apply solder during a repair. On copper-containing alloys of gold or of silver (such as sterling silver), it presents as a red or purple stain.
Shotai shippo ("Japanese plique-à-jour"): A layer of flux (clear enamel) is fired over a copper form. Wires are fired onto the flux (similar to cloisonné) and the resulting areas are enameled in the colors of choice. When all the enameling is finished, the copper base is etched away leaving a translucent shell of plique-à-jour. 4.