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Appropriation (art) In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. [1] The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, "to appropriate" means to properly adopt, borrow ...
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners (or their heirs). The disputed cultural property items are physical artifacts of a group or society taken by another group, usually in the act of looting, whether in the context of imperialism, colonialism ...
Cultural appropriation. Cultural appropriation[1][2] is the adoption of an element or elements of one culture or identity by members of another culture or identity in a manner perceived as inappropriate or unacknowledged. [3][4][5] This can be especially controversial when members of a dominant culture appropriate from minority cultures. [6][1 ...
Cultural appropriation—also known as cultural misappropriation—is when a person or group takes (or “borrows”) a group or a culture’s ideas, customs, or styles without acknowledgment or ...
Duchamp only made a total of 13 readymades over a period of time of 30 years. [4] He felt that he could only avoid the trap of his own taste by limiting output, though he was aware of the contradiction of avoiding taste, yet also selecting an object. Taste, he felt, whether "good" or "bad", was the "enemy of art". [5]
Visual culture is the aspect of culture expressed in visual images. Many academic fields study this subject, including cultural studies, art history, critical theory, philosophy, media studies, Deaf Studies, [1] and anthropology. The field of visual culture studies in the United States corresponds or parallels the Bildwissenschaft ("image ...
Postmodernism. Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
A work of art is authentic when executed in the style, with the materials, and by the production process that are essential attributes of the genre. Cultural authenticity derives from the artistic traditions created by the artists of the ethnic group. A genre artwork is authentic only if created by an artist from the ethnic group; therefore ...