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While working as a porcelain painter in Cologne, Roesen exhibited a floral painting at the Cologne local art club in 1847. [2] He and Sophia arrived in Dover , England on December 27, 1847, and from there emigrated to New York, arriving on February 4, 1848, exhibiting eleven paintings there at the American Art-Union over the next five years. [ 2 ]
The Swimming Hole (also known as Swimming and The Old Swimming Hole) is an 1884–85 painting by the American artist Thomas Eakins (1844–1916), Goodrich catalog #190, in the collection of the Amon Carter Museum of American Art in Fort Worth, Texas.
The Great Piece of Turf [1] (German: Das große Rasenstück) is a watercolor painting by Albrecht Dürer created at his Nuremberg workshop in 1503. It is a study of a seemingly unordered group of wild plants, including dandelion and greater plantain. The work is considered one of the masterpieces of Dürer's realistic nature studies.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
100 Great Paintings is a British television series broadcast in 1980 on BBC Two, devised by Edwin Mullins. [1] He chose 20 thematic groups, such as war, the Adoration, the language of colour, the hunt, and bathing, picking five paintings from each. [2]
A previously unseen painting by Claude Monet is expected to fetch more than $65 million when it goes on sale in New York early next month, according to a statement released by Christie’s auction ...
58.1 x 72.7 A Beech Wood with Gypsies Seated in the Distance: 1799-1801 Fitzwilliam Museum, Cambridge: 27 x 19 A Beech Wood with Gypsies round a Campfire: 1799-1801 Fitzwilliam Museum, Cambridge: 27 x 19 View on Clapham Common: 1800-1805 Tate Britain, London: 32.1 x 44.5 Welsh Mountain Landscape: 1799-1800 Fitzwilliam Museum, Cambridge: 64.1 x 98.8
Plastov chose a subject where nudity seems natural to the viewer: a young woman in the open anteroom of a village bathhouse dressing a little girl. [1] [2] The artist combines the naked body of a young woman with "pink — nacre tones" and russet hair with the gray wooden walls, the soot-blackened door of the bathhouse, and the warm golden straw on the floor of the anteroom.