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Climax is an unincorporated community in Pittsylvania County, in the U.S. state of Virginia. Climax has been referenced in popular culture thanks to Tim Smith, who is featured on the hit show Moonshiners. Tim opened a legal distillery and now sells moonshine under the name Climax Moonshine. [1]
A the start of the moonshine season, moonshiners Jeff and Mark, and partners Josh and Bill get to work making moonshine. Meanwhile, veteran moonshiner Tim Smith will make a life-changing move, [clarification needed] and Tickle is forced to realize that his time to shine has just begun. [clarification needed]
Moonshiners is an American docudrama television series on the Discovery Channel produced by Magilla Entertainment that dramatizes the life of people who produce (illegal) moonshine in the Appalachian Mountains of Kentucky, North Carolina, South Carolina, Tennessee, and Virginia.
T. V. Smith (born 1956), British singer and songwriter; Tim Smith (Cardiacs) (1961–2020), English singer-songwriter and frontman of Cardiacs "Tim Smith", a 2009 song by the Wildhearts from ¡Chutzpah! Timmy Trumpet (born 1982), Australian DJ and producer; Tim Smith, lead singer of Midlake; Tim Smith, drummer with Poco; Tim Smith, bass ...
Owsla (stylized in all caps) is an American record label and creative collective. [6] [7] It was founded by Skrillex, Tim Smith, Kathryn Frazier, and Clayton Blaha in 2011. [8]
Brett Quillen Claywell (born April 11, 1978, Greensboro, North Carolina) is an American actor best known for playing the roles of Tim Smith on The WB/CW series One Tree Hill, and Kyle Lewis on the ABC soap opera One Life to Live.
Just a few months later, lead vocalist and songwriter Tim Smith announced he was leaving Midlake to form a new project called Harp. Rather than divide the recorded material among the two bands, Midlake abandoned the two years' worth of recordings with Smith and began again from scratch, writing and recording a new full-length album in just six ...
The Baltimore Bomb has been praised by music critics.Tim Smith of The Baltimore Sun called the work "an attractive curtain-raiser" and wrote, "A suggestion of clanking cutlery from the percussion section — evoking eager dessert eaters, perhaps — provides an initial pulse for The Baltimore Bomb, which gets further fuel from lush chord progressions."