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The 5000 words in Davies' list are lemmas. [5] A lemma is the form of the word as it would appear in a dictionary. [6] Singular nouns and plurals, for example, are treated as the same word, as are infinitives and verb conjugations. The table below includes the top 100 words from Davies' list of 5000.
para estafarte - to rip you off; para forzar/obligar - to force; paraje - place; para navegar - to sail; para oprimir - to oppress; para preservar - to preserve; para que decir - what to say; para que puedan sobrevivir - so they can survive; para que yo nos ayude a entender - so that I can help us understand; para todos ustedes - for all of you
The Spanish subjunctive mood descended from Latin, but is morphologically far simpler, having lost many of Latin's forms. Some of the subjunctive forms do not exist in Latin, such as the future, whose usage in modern-day Spanish survives only in legal language and certain fixed expressions.
This category is not for articles about concepts and things but only for articles about the words themselves. Please keep this category purged of everything that is not actually an article about a word or phrase. See as example Category:English words
In other words, an employee's emotional state may color their perception of future events and experiences in the workplace. Time Lag: AET acknowledges that the effects of affective events may not be immediate and can manifest over time. The theory allows for the consideration of both short-term and long-term emotional influences on employees.
Some loanwords enter Spanish in their plural forms but are reanalyzed as singular nouns (e.g., the Italian plurals el confeti 'confetti', el espagueti 'spaghetti', and el ravioli 'ravioli'). These words then follow the typical morphological rules of Spanish, essentially double marking the plural (e.g., los confetis, los espaguetis, and los ...
SPOILERS BELOW—do not scroll any further if you don't want the answer revealed. The New York Times Today's Wordle Answer for #1305 on Tuesday, January 14, 2025
Duende or tener duende ("to have duende") is a Spanish term for a heightened state of emotion, expression and authenticity, often connected with flamenco. [1] Originating from folkloric Andalusian vocal music (canto jondo) [2] and first theorized and enhanced by Andalusian poet Federico García Lorca, [1] the term derives from "dueño de casa" (master of the house), which similarly inspired ...