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Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985) is a book by educator Neil Postman. It has been translated into eight languages and sold some 200,000 copies worldwide. In 2005, Postman's son Andrew reissued the book in a 20th anniversary edition. [not verified in body]
Neil Postman (March 8, 1931 – October 5, 2003) was an American author, educator, media theorist and cultural critic, who eschewed digital technology, including personal computers, mobile devices, and cruise control in cars, and was critical of uses of technology, such as personal computers in school. [1]
The information–action ratio is a concept coined by cultural critic Neil Postman in his work Amusing Ourselves to Death.In short, Postman meant to indicate the relationship between a piece of information and what action, if any, a consumer of that information might reasonably be expected to take once learning it.
Amused to Death is the third studio album by English musician Roger Waters, released 7 September 1992 on Columbia. Produced by Waters and Patrick Leonard, it was mixed in QSound to enhance its spatial feel. The album features Jeff Beck on lead guitar on several tracks. The album's title was inspired by Neil Postman's 1985 book Amusing Ourselves ...
Neil Postman's Amusing Ourselves to Death is published. [91] [92] Jeffrey Weeks' Sexuality and its Discontents is published. [93] [94] Viviana Zelizer's Pricing the Priceless Child: The Changing Social Value of Children is published. [95] [96]
Neil Postman in his 1985 book Amusing Ourselves to Death worried that McLuhan's theory, if true, meant that television was uniquely destructive to the public conversation in America, with style trumping substance. [15]
The nonfiction books Amusing Ourselves to Death by Neil Postman and Empire of Illusion by Chris Hedges both observe a sudden rise of post-literate culture. [2]
Amusing Ourselves to Death, 1985 critique of television by Neil Postman; History of television "Is Google Making Us Stupid?" Luddites as an example of a social movement which opposed specific applications of technology on political and social class grounds. Media psychology; The Plug-In Drug, 1977 critique of television by Marie Winn; Screen ...