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  2. Tiffany lamp - Wikipedia

    en.wikipedia.org/wiki/Tiffany_lamp

    A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.

  3. John Petts (artist) - Wikipedia

    en.wikipedia.org/wiki/John_Petts_(artist)

    Tree of life stained glass window at St Peter's Church, Carmarthen. Petts was born in the Hornsey area of north London but, despite a childhood illness limiting his education, an interest in art and Saturday morning lessons at the Hornsey School of Art led to him becoming a full-time student there in 1930. [1]

  4. Art Nouveau glass - Wikipedia

    en.wikipedia.org/wiki/Art_Nouveau_glass

    One example is the stained glass window of the doorway of the Hôtel van Eetvelde in Brussels (1895). In France, Art Nouveau stained glass was used by Alphonse Mucha to decorate the interior of the jewelry shop of Georges Fouquet. The windows were made by Léon Fargues. The decor is now found in the Carnavalet Museum.

  5. Stained glass - Wikipedia

    en.wikipedia.org/wiki/Stained_glass

    The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]

  6. Came glasswork - Wikipedia

    en.wikipedia.org/wiki/Came_glasswork

    Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]

  7. French Gothic stained glass windows - Wikipedia

    en.wikipedia.org/wiki/French_Gothic_stained...

    For Suger, stained glass became a way to create a glowing, unworldly light ideal for religious reflection. [4] Suger described the finished work at Saint-Denis as "a circular string of chapels, by virtue of which the whole church would shine with the wonderful and uninterrupted light of most luminous windows, pervading the interior beauty". [ 3 ]

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