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Red-figure pottery (Ancient Greek: ἐρυθρόμορφα, romanized: erythrómorpha) is a style of ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay.
In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
Circa 520 BC the red-figure technique was developed and was gradually introduced in the form of the bilingual vase by the Andokides Painter, Oltos and Psiax. [42] Red-figure quickly eclipsed black-figure, yet in the unique form of the Panathanaic Amphora, black-figure continued to be utilised well into the 4th century BC.
Examples are a well scene on the aforementioned Leyden hydria and a depiction of the olive harvest on an amphora in the British Museum at London. His drawing style resembles that of Psiax; influences by the early red-figure style are also apparent. Nonetheless, he continued to use the black-figure technique, which maintained many followers.
Bilingual vase painting was almost entirely restricted to belly amphorae of type B and to eye-cups.In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the belly amphora by the Andokides Painter, Munich 2301).
It is likely, however, that he also worked in black-figure painting, [3] and his style suggests a link, possibly in the role of student, to the great black-figure painter Exekias. [4] John Boardman sees connections to Ionian art in the painter's work, suggesting that he may have been an immigrant from East Greece. [ 3 ]
Nikosthenes was a potter of Greek black-and red-figure pottery in the time window 550–510 BC. [1] He signed as the potter on over 120 black-figure vases, but only nine red-figure. Most of his vases were painted by someone else, called Painter N (for Nikosthenes). Beazley considers the painting "slovenly and dissolute;" that is, not of high ...