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Electric épée fencing: Diego Confalonieri (left) and Fabian Kauter in the final of the Trophée Monal While the modern sport of fencing has three weapons — foil, épée, and sabre, each a separate event — the épée is the only one in which the entire body is the valid target area (the others are restricted to varying areas above the waist).
From sword and buckler to sword and dagger, sword alone to two-handed sword, from polearms to wrestling (though absent in Manciolino), early 16th-century Italian fencing reflected the versatility that a martial artist of the time was supposed to have achieved. [7]
In his treatise, Lo Schermo, overo Scienza D'Arme (1606) Fabris deals with sword alone, sword and dagger, sword and cape as well as bare-handed fighting against a man armed with a dagger. Fabris also includes a Book II consisting on ways to defeat an opponent without stopping in guard, a unique occurrence among 17th-century Italian extant ...
A treatise on backsword, sword, buckler, sword and dagger, sword and great gauntlet, falchion, quarterstaff – Captain James Miller (1737) [4] The Use of the Broad Sword – Thomas Page (1746) [11] A Dictionary Explaining the Terms, Gards and Positions, used in the Art of the Small Sword – Hary Fergusson (1767) [12] [13]
Sabre – A fencing weapon with a flat blade and knuckle guard, used with cutting or thrusting actions; a military sword popular in the 18th to 20th centuries; any cutting sword used by cavalry. The modern fencing sabre is descended from the dueling sabre of Italy and Germany, which was straight and thin with sharp edges, but had a blunt end.
All these fencing methods are always characterized to be a "scherma accompagnata", meaning a kind of fencing that always actively uses both hands, with or without a weapon (sword and dagger, two swords, sword and buckler, sword and cape, dagger and cape, two sticks, two daggers, etc.) and in any case it always makes use of the unarmed hand in ...
The first known English use of fence in reference to Renaissance swordsmanship is in William Shakespeare's Merry Wives of Windsor, (act i, scene 1), "with playing at sword and dagger with a master of fence," , [8] and later, (act 2, scene 3) "Alas sir, I cannot fence" [9] the term "fencer" is used in Much Ado About Nothing, "blunt as the fencer ...
[18] [19] There is an illustration of a fencing school from 1726, where *Fechtfedern* (two-handed training swords) are being used and Huten of Liechtenauer's school of fencing are recognizable. [20] This portrayal is compatible with the contemporary sources which refer to longsword fencing in the existing fencing schools of the 18th century in ...