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Macramé knot: clove hitch with loops up. One of the earliest recorded uses of macramé-style knots as decoration appeared in the carvings of the Babylonians and Assyrians. Fringe-like plaiting and braiding adorned the costumes of the time and were captured in their stone statuary. [1]
Thief knot – resembles the reef knot except that the free, or working, ends are on opposite sides; Threefoil knot – another term for a trefoil knot; Thumb knot a.k.a. overhand knot – one of the most fundamental knots and forms the basis of many others; Timber hitch – used to attach a single length of rope to a cylindrical object
7 1 knot, septafoil knot, (7,2)-torus knot - a prime knot with crossing number seven, which can be arranged as a {7/2} star polygon ; 7 4 knot, "endless knot" 8 18 knot, "carrick mat" 10 161 /10 162, known as the Perko pair; this was a single knot listed twice in Dale Rolfsen's knot table; the duplication was discovered by Kenneth Perko
Friendship bracelet – easy stripe form Step-by-step diagram of basic knot associated with friendship bracelets. A friendship bracelet is a decorative bracelet given by one person to another as a symbol of friendship. Friendship bracelets are often handmade, usually of embroidery floss or thread and are a type of macramé.
Friction knots are held in place by the friction between the windings of line. Knotted-ends knots are held in place by the two ends of the line being knotted together. Stopping may be either a temporary whipping or seizing, the commonest variety consisting of a few round turns finished off with a reef knot .
Solomon's knot carving in Almenno San Bartolomeo (Italy) Ancient Roman mosaic in Aquileia (Italy) Decorative Solomon's knot. Solomon's knot (Latin: sigillum Salomonis, lit. 'Solomon's seal') is a traditional decorative motif used since ancient times, and found in many cultures.
The discovery of all possible ways to tie a tie depends on a mathematical formulation of the act of tying a tie. In their papers (which are technical) and book (which is for a lay audience, apart from an appendix), the authors show that necktie knots are equivalent to persistent random walks on a triangular lattice, with some constraints on how the walks begin and end.
Knot patterns first appeared in the third and fourth centuries AD and can be seen in Roman floor mosaics of that time. Interesting developments in the artistic use of interlaced knot patterns are found in Byzantine architecture and book illumination , Coptic art , Celtic art, Islamic art , Kievan Rus' book illumination, Ethiopian art , and ...