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As early as the 1950s, it was discovered that double-tracking the lead vocal in a song gave it a richer, more appealing sound, especially for singers with weak or light voices. Use of this technique became possible with the advent of magnetic tape for use in sound recording.
Overdubbing (also known as layering) [1] is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. [2]
Audio example of double tracking with 3 guitar parts with drums and bass. Double tracking or doubling is an audio recording technique in which a performer sings or plays along with their own prerecorded performance, usually to produce a stronger or bigger sound than can be obtained with a single voice or instrument.
Undertone singing In particular, the sound is produced via constricting the larynx in order to produce oscillations in the vocal cords and vestibular folds (or " false vocal cords ") at certain frequencies of the vocal cords - corresponding to integer divisions of the frequency produced by the vestibular folds, such as 1:2, 1:3, and 1:4 ratios ...
By carefully controlling the configurations of the vocal cords, a singer may obtain "undertones" which may produce period doubling, tripling or a higher degree of multiplication; [citation needed] this may give rise to tones that fairly coincide with those of an inverse harmonic series. Although the octave below is the most frequently used ...
Over 40 songs, 16 outfit changes and three hours of belting her heart out must leave the 34-year-old singer exhausted Do Musicians Actually Sing Live at Concerts or Do They Lip-Sync? A Music ...