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Ecstasy (from Ancient Greek ἔκστασις (ékstasis) 'outside of oneself') is a subjective experience of total involvement of the subject with an object of their awareness. In classical Greek literature , it refers to removal of the mind or body "from its normal place of function."
Ecstasy (from the Ancient Greek ἔκστασις ekstasis, "to be or stand outside oneself, a removal to elsewhere" from ek-"out," and stasis "a stand, or a standoff of forces") is a term used in existential philosophy to mean "outside-itself".
In his wake, Georges Bataille saw horror as akin to ecstasy in its transcendence of the everyday; [9] as opening a way to go beyond rational social consciousness. [10] Julia Kristeva in turn considered horror as evoking experience of the primitive, the infantile, and the demoniacal aspects of unmediated femininity. [11]
Ecstasy most often refers to: Ecstasy (emotion) , a trance or trance-like state in which a person transcends normal consciousness Religious ecstasy , a state of consciousness, visions or absolute euphoria
According to the Catholic Encyclopedia [11] religious ecstasy (called "supernatural ecstasy") includes two elements: one, interior and invisible, in which the mind rivets its attention on a religious subject, and another, corporeal and visible, in which the activity of the senses is suspended, reducing the effect of external sensations upon the ...
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For example, The Baroque works of Italian sculptor Bernini presents a stark moment in time — a snapshot. Bernini's 1644 work The Ecstasy of St. Theresa shows the moment at which the holy spirit pierces Theresa's heart, leaving her in what can only be described as ecstasy of divine presence. It is a dramatic, poignant scene captured by Bernini ...