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While helping Primrose to write his memoirs, Dalton suggested that the HBLL could preserve Primrose's papers. After meeting with library officials in 1974, the Primrose Viola Archive was established in 1979 when Primrose agreed to donate his viola sheet music and memorabilia to the library to start a national-scale viola archive. [2] [4]
Hauora is a Māori philosophy of health and well-being unique to New Zealand. [ 1 ] It helps schools be educated and prepared for what students are about to face in life.
J Gabriel Jackson (b. 1962) Lunae glaciales for piccolo (flute), viola and harp (1996, revised 1999) Gordon Jacob (1895–1984) Adagio and Allegro by Antonio Vivaldi ; arrangement for viola and piano (1939) by Gordon Jacob Air and Dance for viola and piano (1957); Oxford University Press Concert Piece for viola and orchestra (1977); Corda Music Publications Concerto No. 1 in C minor (in One ...
This article lists compositions written for the viola.The list includes works in which the viola is a featured instrument: viola solo, viola and piano, viola and orchestra, ensemble of violas, etc. Catalogue number, date of composition and publisher (for copyrighted works) are also included.
Suite Hébraïque is a 3-movement work composed in 1951 for viola and piano by Ernest Bloch, which he subsequently arranged for viola and small orchestra. [1] The piece draws upon Jewish music, and it simulates the blow of a shofar. [2] Suite Hébraïque is similar in style to another of Bloch's compositions, Baal Shem for violin and orchestra ...
The earliest two works composed for flute, viola, and harp are Théodore Dubois's Terzettino (1905) and Claude Debussy's Sonata for Flute, Viola and Harp (1915). The Terzettino is a relatively short work in one movement lasting approximately five minutes, and its main theme is a lyrical, romantic-style melody. [4]
Harvey Samuel Whistler Jr. was born September 7, 1907, in Fresno, California, [4] to hotel owners, Harvey Samuel and Sallie Byrn Whistler. [5] His mother, a classically trained pianist, insisted that music be part of Harvey Jr.’s education and oversaw his earliest training on piano.
The viola books introduce shifting and work in higher positions earlier than the violin volumes, in anticipation of viola students being asked to play in ensembles sooner in their studies than violinists, and needing these skills to better handle orchestral or chamber music parts (Preucil, 1985).