Search results
Results From The WOW.Com Content Network
Traditionally, depiction is distinguished from denotative meaning by the presence of a mimetic element or resemblance. A picture resembles its object in a way a word or sound does not. Resemblance is no guarantee of depiction, obviously. Two pens may resemble one another but do not therefore depict each other.
A rebus (/ ˈ r iː b ə s / REE-bəss) is a puzzle device that combines the use of illustrated pictures with individual letters to depict words or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n".
A symbol for symbol proposed to the ISO by Jan V. De Neys Wearing variously colored ribbons is a symbolic action that shows support for certain campaigns.. A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship.
Aldous Huxley is regarded as one of the most prominent explorers of visual communication and sight-related theories. [12] Becoming near-blind in his teen years as the result of an illness influenced his approach, and his work includes important novels on the dehumanizing aspects of scientific progress, most famously Brave New World and The Art of Seeing.
For centuries, child nudity was common in paintings that depicted allegorical or religious stories. Modern painters have created images of nude children that depict everyday life. Some sculptures depict nude child figures. A particularly famous one is Manneken Pis in Brussels, showing a nude young boy urinating into the fountain below.
The name of the important Frankish King Guntram means "War Raven". According to the legend of the fourth-century Iberian Christian martyr Saint Vincent of Saragossa, after St. Vincent was executed, ravens protected his body from being devoured by wild animals, until his followers could recover the body.
An icon (from Ancient Greek εἰκών (eikṓn) 'image, resemblance') is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches.
Plato disregarded painters (as well as sculptors) in his philosophical system; he maintained that painting cannot depict the truth—it is a copy of reality (a shadow of the world of ideas) and is nothing but a craft, similar to shoemaking or iron casting. [28]