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A longsword (also spelled as long sword or long-sword) is a type of European sword characterized as having a cruciform hilt with a grip for primarily two-handed use (around 15 to 30 cm or 6 to 12 in), a straight double-edged blade of around 80 to 110 cm (31 to 43 in), and weighing approximately 2 to 3 kg (4 lb 7 oz to 6 lb 10 oz). [2] [3]
Arms of Longespée, as drawn by Matthew Paris (d. 1259): Azure, six lions rampant or, 3,2,1.As seen sculpted on the shield of his effigy in Salisbury Cathedral Geoffrey Plantagenet, Count of Anjou, paternal grandfather of William Longespée, displaying on his shield proto-heraldic [1] arms of Azure, six lions rampant or, 3,2,1, the same arms shown on Longespée's shield [2] in Salisbury Cathedral.
Underwood suggested an effective range of 12–15 metres (40–50 feet) for spears thrown as javelins, depending on the skill of the individual throwing it and the javelin's length and weight. [24] The Battle of Maldon poem describes the use of javelin spears in a fight between Earl Byrhtnoth's forces and a group of Vikings. In this account ...
Starting in 1966, the Society for Creative Anachronism, an amateur medieval reenactment organization, renewed public interest in the practice of historic fighting arts, [13] and has hosted numerous tournaments in which participants compete in simulated medieval and renaissance fighting styles using padded weapons.
The Swordsman's Companion: A Modern Training Manual for Medieval Longsword. Union City, Calif.: The Chivalry Bookshelf, 2004. Print. ISBN 1-891448-41-2; Windsor, Guy. The Duellist's Companion: a Training Manual for 17th Century Italian Rapier. Highland Village, TX.: The Chivalry Bookshelf, 2006. Print. ISBN 1-891448-32-3
There’s a reason why Medieval art is particularly, well, weird. While paintings and sculptures that remain from most other periods in history were generally produced by trained artists, the ...
The project has gotten so popular over the years that there’s even a podcast and a book out. The person behind the ingenious ‘Weird Medieval Guys’ account is Olivia M. Swarthout ...
In looking at coroner records for 14th-century rural England detailing the accidental deaths of 1,000 people, which represent the lives of peasants more clearly, Barbara Hanawalt found that 30% of women died in their homes compared to 12% of men; 9% of women died on a private property (i.e. a neighbour's house, a garden area, manor house, etc ...