Ads
related to: tuscan style landscaping
Search results
Results From The WOW.Com Content Network
Pasquale Poccianti, Cisternone, Livorno. Neoclassical architecture in Tuscany established itself between the second half of the eighteenth century and the first half of the nineteenth century within a historical-political framework substantially aligned with the one that affected the rest of the Italian peninsula, while nonetheless developing original features.
The Limonaia—potted lemon garden, at the villa's front. View from hill's base, along the avenue of garden axis, to villa. Villa Cetinale is a 17th-century Baroque villa and Italian garden in Tuscany. The property is located in the hamlet of Cetinale near Sovicille, about 12 kilometres (7.5 mi) west of Siena, in Tuscany, Italy.
Because the Tuscan mode is easily worked up by a carpenter with a few planing tools, it became part of the vernacular Georgian style that lingered in places like New England and Ohio deep into the 19th century. In gardening, "carpenter's Doric" which is Tuscan, provides simple elegance to gate posts and fences in many traditional garden contexts.
The Varramista Gardens are located in Tuscany, Italy, and cover over 400 hectares of parkland. The entrance consists of an oak tree avenue which leads to an Italian style garden designed by Bartolomeo Ammannati. Other notable features of the estate include topiaried boxwood trees, a bay tree tunnel, an ornamental lake and a wood. [1]
Near Siena in Tuscany, the Villa Cetinale was built by Cardinal Flavio Chigi. He employed Carlo Fontana, pupil of Gian Lorenzo Bernini to transform the villa and dramatic gardens in a Roman Baroque style by 1680. The Villa Lante garden is one of the most sublime creations of the Italian villa in the landscape, completed in the 17th century.
Gardens of the Villa Aldobrandini (1598). The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the enjoyment of the sights, sounds and smells of the garden itself.