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Violin acoustics is an area of study within musical acoustics concerned with how the sound of a violin is created as the result of interactions between its many parts.These acoustic qualities are similar to those of other members of the violin family, such as the viola.
The violin is primarily used as support for a vocalist, as the sound of a violin complements that of the singer, but is also largely played solo. In solo violin concerts, the violinist is accompanied by percussion instruments, usually the tabla, the mridangam and the ghatam. The violin is also a principal instrument for Indian film music. V.
The eerie quality of a violin section playing col legno is exploited in some symphonic pieces, notably the "Witches' Dance" of the last movement of Berlioz's Symphonie Fantastique. Saint-Saëns 's symphonic poem Danse Macabre includes the string section using the col legno technique to imitate the sound of dancing skeletons.
This gives a muted percussive sound, and is most effective when employed by a full orchestral violin section. The eerie quality of a violin section playing col legno is exploited in some symphonic pieces, notably "Mars, the Bringer of War" of The Planets Suite by Holst as well as Frederic Chopin's Warsaw-era Piano Concerto No. 2, which predates it.
A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings.The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it.
A violin is a "little viola", a violone is a "big viola" or a bass violin, and a violoncello (often abbreviated cello) is a "small violone" (or literally, a "small big viola"). (The violone is not part of the modern violin family; its place is taken by the modern double bass, an instrument with a mix of violin and viol characteristics.)
Much of Paganini's playing (and his violin composition) was influenced by two violinists, Pietro Locatelli (1693–1746) and August Duranowski (Auguste Frédéric Durand) (1770–1834). During Paganini's study in Parma, he came across the 24 Caprices of Locatelli (entitled L'arte di nuova modulazione – Capricci enigmatici or The art of the ...
The most-preferred violin was new. The least-preferred was by Stradivari. There was low correlation between instrument age and monetary value, and perceived quality. Most players couldn't tell whether the instrument they preferred was new or old. 13 of the 21 violinists preferred the new violins. Eight subjects chose an old violin to take home. [6]