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Among groups like the Bagobo, the kutiyapi (kudlung) is also used as a bowed instrument and is generally played to accompany improvised songs. A characteristic difference between Mindanaon Moro kutiyapi and the non-Islamized Lumad equivalents is the style and set up of vocal accompaniment.
Philippine gong music today can be geographically divided into two types: the flat gongs commonly known as gangsà unique to the groups in the Cordillera mountains and the bossed gongs of Muslim and animist groups spanning the Sulu archipelago, much of Mindanao, Palawan, and the inlands of Panay and Mindoro.
Kulintang music likely evolved from this simple signaling tradition, transitioning into a period consisting of one player, one-gong type ensembles (like those found among the Ifugao of Luzon or Tiruray of Mindanao), developing into a multi-gong, multiplayer ensemble with the incorporation of concepts originating from Sunda (Indonesian) and ...
Despite its name, it usually refers to popular music in the Cebuano language; pop music sung in other Visayan languages is known by other terms. For instance, a separate pop music movement for Hiligaynon emerged in the late 2010s, called Ilonggo Pop. The genre is popular in the Visayas and parts of Mindanao in which Cebuano is spoken.
Agung Percussion instrument Classification Idiophone Hornbostel–Sachs classification 111.241.2 (Sets of gongs) Developed Indonesia The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan ...
Pages in category "Mindanao artists" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. A. Cynthia Alexander;
"Philippine Music Instruments". National Commission for Culture and the Arts. Archived from the original on December 1, 2008; Manuel, E. Arsenio (1978). "Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies.
José Íñigo Homer Lacambra Ayala (born June 1, 1956), professionally known as Joey Ayala, is a Filipino singer, songwriter and former chairman of the music committee of the National Commission for Culture and the Arts. He is well known for his style of music that combines the sounds of Filipino ethnic instruments with modern pop music.