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English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis. [2]
Terza rima (/ ˌ t ɛər t s ə ˈ r iː m ə /, also US: / ˌ t ɜːr-/, [1] [2] [3] Italian: [ˈtɛrtsa ˈriːma]; lit. ' third rhyme ') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the ...
In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1] Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas.
Tercet (or triplet): a unit of three lines, rhymed (AAA) or unrhymed, often repeating like the couplet. Triolet: an 8-line stanza with only two rhymes, repeating the 1st line as the 4th and 7th lines, and the 2nd line as the 8th (ABaAabAB, capital letters indicating lines repeated verbatim).
It is a repetition of similar sounds occurring in lines in a poem which gives the poem a symmetric quality. Caesura–A metrical pause or break in a verse where one phrase ends and another phrase begins. Enjambment–The continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
The other three poems are composed in the Greater Asclepiad meter (like Sappho, Book III). Also in the third century BC, a hymn by Aristonous [12] is composed in glyconic-pherecratean stanzas, and Philodamus' paean to Dionysus [13] is partly analyzable by Aeolic principles. [14]
The refrain must be identical with the beginning of the first line: it may be a half-line, and rhymes with the second line. It has three stanzas and its rhyme scheme is as follows: A B A R ; B A B ; A B A R ; where R is the refrain. Swinburne had published a book A Century of Roundels. [1]
The villanelle consists of five stanzas of three lines followed by a single stanza of four lines (a quatrain) for a total of nineteen lines. [21] It is structured by two repeating rhymes and two refrains : the first line of the first stanza serves as the last line of the second and fourth stanzas, and the third line of the first stanza serves ...