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English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis. [2]
Terza rima (/ ˌ t ɛər t s ə ˈ r iː m ə /, also US: / ˌ t ɜːr-/, [1] [2] [3] Italian: [ˈtɛrtsa ˈriːma]; lit. ' third rhyme ') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the ...
ABAB – Four-line stanza, first and third lines rhyme at the end, second and fourth lines rhyme at the end. AB AB – Two two-line stanzas, with the first lines rhyming at the end and the second lines rhyming at the end. AB,AB – Single two-line stanza, with the two lines having both a single internal rhyme and a conventional rhyme at the end.
In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1] Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas.
Tercet (or triplet): a unit of three lines, rhymed (AAA) or unrhymed, often repeating like the couplet. Triolet: an 8-line stanza with only two rhymes, repeating the 1st line as the 4th and 7th lines, and the 2nd line as the 8th (ABaAabAB, capital letters indicating lines repeated verbatim).
It consists of three stanzas: the first is a short envoi, followed by two seven-line stanzas. Danish poet Adam Oehlenschläger used rhyme royal in one poem in his Nordens guder. [13] In Eastern Europe, rhyme royal is extremely rare. Polish poet Adam Asnyk used it in the poem Wśród przełomu (At the breakthrough). [14]
Each of the three staggered lines of the stanza should be thought of as one foot, the whole stanza becoming a trimeter line. [5] Williams' collections Journey to Love (1955) and The Desert Music (1954) [6] contained examples of this form. This is an extract from "The Sparrow" by Williams: Practical to the end, it is the poem of his existence
The favoured tail rhyme stanza forms, too, also shortened, with fewer examples of the twelve- and sixteen-line tail rhyme stanzas that had proved successful in Middle English. [16] From the sixteenth to the nineteenth century, the most popular tail rhyme stanza was AABCCB, with the main lines in tetrameter and the B-lines in either trimeter or ...