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Morris dancers with handkerchiefs in York. Morris dancing is a form of English folk dance.It is based on rhythmic stepping and the execution of choreographed figures by a group of dancers in costume, usually wearing bell pads on their shins and/or shoes.
The steps are similar to those used in some Morris and country dances including double-stepping, a travelling ‘ranting’ or ‘polka’ step, and a country dance ‘chasing’ step - also known as a 'Dorset skip-change' step. Whilst the staves are mainly carried on the shoulder, some dances require the dancers to form arches or other figures.
In the 1960s, E.C. Cawte, the folklorist, proposed that these dances from the English side of the Welsh borders – Herefordshire, Shropshire and Worcestershire – constituted a Welsh border tradition. [3] Beltane Border Morris performing at Sidmouth Folk Festival 2022 The Shropshire Bedlams at Towersey Festival, 1980 Music for The Widders
Clogging developed from aspects of English, Welsh, German, and Cherokee step dances, as well as African rhythms and movement. It was from clogging that tap dance eventually evolved. Solo dancing (outside the context of the big circle dance) is known in various places as buck dance, flatfooting, hoedown, jigging, sure-footing, and stepping.
Traditional Valencian dances. A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "religious dances" because of their purpose.
2 time dance rhythm, which remained popular in northern English and lowland Scottish instrumental music until the 19th century. [5] Many examples are still well known and widely played in Northumberland, such as the song "Dance ti thy Daddy", and the variation set "Lads of Alnwick". Often these tunes have off-beat accents, usually in even ...
The two-step is a step found in various dances, including many folk dances. A two-step consists of two steps in approximately the same direction onto the same foot, separated by a joining or uniting step with the other foot.
The jig (Irish: port, Scottish Gaelic: port-cruinn) is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It first gained popularity in 16th-century England, Ireland, Scotland, and other parts of the British Isles, [ 1 ] [ 2 ] and was adopted on mainland Europe where it eventually became the final movement of ...