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Multiperspectivity (sometimes polyperspectivity) is a characteristic of narration or representation, where more than one perspective is represented to the audience. [1]Most frequently the term is applied to fiction which employs multiple narrators, often in opposition to each-other or to illuminate different elements of a plot, [1] creating what is sometimes called a multiple narrative, [2] [3 ...
This category contains articles about novels which use multiple narrative point of views, i.e. alternating between different first-person narrators or alternating between a first- and a third-person narrative mode.
The eighth book returned to a more limited number with five. In the final ninth book, there is an increase in POVs with some chapters having multiple POV characters. Every book also begins and ends with a prologue and epilogue told from a unique character's perspective, who will occasionally interject in the main body of the novel.
Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", [1] the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.
The novel is postmodernist and is narrated from multiple perspectives. The structure of the book's chapters resembles a tango, with six "steps" forward followed by six backward. Every chapter is a long paragraph which does not contain line breaks. [4]
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
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"serves a truth that is revealing—not the truth that prevails. It also is a “realism” that recognizes multiple perspectives, multiple truths. Perhaps the snow is not just white; it is also turning black, attuned to the menacing storm in the sky—or it is perhaps purple, surrounding a man with a monarch’s boundless ego." [10]