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The English rock band Radiohead used Auto-Tune on their 2001 album Amnesiac to create a "nasal, depersonalized sound" and to process speech into melody. According to the Radiohead singer, Thom Yorke, Auto-Tune "desperately tries to search for the music in your speech, and produces notes at random. If you've assigned it a key, you've got music."
A notable example of Auto-Tune-based pitch correction is the Cher effect, so named because producer Mark Taylor originated the effect in her 1998 hit song "Believe". [4] The effect has been used by composer John Boswell for his Symphony of Science and Symphony of Bang Goes The Theory (a BBC science show) mash-ups.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Musically, T-Pain is best known for popularizing the use of Auto-Tune, a pitch-correcting audio processor, for vocals, with the effect turned up to give the voice a robotic quality. He has used this effect throughout his singing career, starting in 2003. [82] This use of Auto-Tune had been pioneered by Cher in her successful 1998 single ...
The track was recorded in the key of F ♯ major with a tempo of 133 beats per minute. The song follows a chord progression of F ♯ –C ♯ –G ♯ m–B–F ♯ –A ♯ m 7 –G ♯ m–D ♯ m, and Cher's vocal range spans from the low note of F ♯ 3 to the high note of C ♯ 5 .
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Nonetheless, Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches. [1]
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