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Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen, was a set of variations for solo piano.
Kammermusik II Concerto for piano and twelve solo instruments, Op. 36/1 (1924) Concert Music for Piano, Brass and Two Harps, Op. 49 (1930) The Four Temperaments (1940) Piano Concerto (1945) Alun Hoddinott. Concerto for Piano, Winds and Percussion, Op. 19 (1961) Concerto No. 2, Op. 21 (1960) Concerto No. 3, Op. 44 (1966) Josef Hofmann
12 Variations in E♭ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
Music for Piano 53–68, for piano solo or in an ensemble (May 1956) Music for Piano 69–84, for piano solo or in an ensemble (May 1956) Radio Music, for 1 to 8 performers using radios (May 1956) Winter Music, for piano (January 1957) For Paul Taylor and Anita Dencks, for piano (September 1957) Haiku, for any instruments or objects (January 1958)
Music for Piano 53–68 (for piano solo or in an ensemble) (1956) Dedicated to Grete Sultan. Music for Piano 69–84 (for piano solo or in an ensemble) (1956) Both collections were composed for the same Cunningham choreography, Solo Suite in Space and Time. Music for Piano 53–68 is dedicated to, and was first performed by, Grete Sultan. [5]
Fauré in 1907. The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. [1] His compositions for piano, written between the 1860s and the 1920s, [n 1] include some of his best-known works.