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The group statue is made of Parian marble, and at 1.55 m. tall (including the base), it is slightly smaller than lifesize. [2]Aphrodite, the beautiful naked goddess of beauty and love, is depicted in frontal with hair well-tressed and tied up with a scarf bound in a bow above her parting.
The Aphrodite Rhithymnia (Ancient Greek: Ἀφροδίτη Ῥιθυμνία, romanized: Aphrodítē Rhithumnía, lit. 'Aphrodite of Rhithymna'), also known as Aphrodite of Lappa ( Greek : Αφροδίτη της Λάππας ), is a Roman statue of the first century AD found at the site of ancient Lappa , in modern-day Argyroupoli , western ...
The statue showed a nude Aphrodite modestly covering her pubic region while resting against a water pot with her robe draped over it for support. [272] [273] The Aphrodite of Knidos was the first full-sized statue to depict Aphrodite completely naked [274] and one of the first sculptures that was intended to be viewed from all sides.
Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world. The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is ...
The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity .
Armed Aphrodite (Greek: Ένοπλη Αφροδίτη) is a first-century AD Roman marble sculpture depicting Aphrodite Areia, or the war-like aspect of the Greek goddess Aphrodite, who was more commonly worshipped as a goddess of beauty and love.
The Venus Callipyge, also known as the Aphrodite Kallipygos (Greek: Ἀφροδίτη Καλλίπυγος) or the Callipygian Venus, all literally meaning "Venus (or Aphrodite) of the beautiful buttocks", [a] is an Ancient Roman marble statue, thought to be a copy of an older Greek original.
In Poseidippos's epigram– Kallikrates is described as creating the temple to Arsinoe Aphrodite to center her roles as goddess of love and seafaring. [1] Kallikrates intended the temple to be as a sanctuary from the waves, a refuge for unmarried or “chaste” women seeking success in love, and sailors and naval warriors looking to request ...