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Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. [1] [2] The movement presented a challenge to ...
Art pop draws on postmodernism's breakdown of the high/low cultural boundary and explores concepts of artifice and commerce. [12] [nb 1] The style emphasizes the manipulation of signs over personal expression, drawing on an aesthetic of the everyday and the disposable, in distinction to the Romantic and autonomous tradition embodied by art rock or progressive rock.
[2] [6] [7] [8] Camp aesthetics disrupt modernist understandings of high art by inverting traditional aesthetic judgements of beauty, value, and taste, and inviting a different kind of aesthetic engagement. [6] Camp art is distinct from but often confused with kitsch. The American writer Susan Sontag emphasized its key elements as embracing ...
In the first half of the 20th century, kitsch was used in reference to mass-produced, pop-cultural products that lacked the conceptual depth of fine art. However, since the emergence of Pop Art in the 1950s, kitsch has taken on newfound highbrow appeal, often wielded in knowingly ironic, humorous or earnest manners.
Neo-pop (also known as new pop) is a postmodern art movement that surged in the 1980s and 1990s. It is a resurgent, evolved, and modern version of the ideas of pop art artists from the 50s, capturing some of its commercial ideas and kitsch aspects. However, unlike in pop art, Neo-pop takes inspiration from a wider amount of sources and ...
Hypnagogic pop (abbreviated as h-pop) is pop or psychedelic music [5] [6] that evokes cultural memory and nostalgia for the popular entertainment of the past (principally the 1980s). It emerged in the mid to late 2000s as American lo-fi and noise musicians began adopting retro aesthetics remembered from their childhood, such as radio rock , new ...