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Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong buckle usually embedded with stones. [17]
Pages in category "18th-century fashion" The following 96 pages are in this category, out of 96 total. This list may not reflect recent changes. 0–9.
Barbara was born in 1738 in Olney, Buckinghamshire, the eldest of four children of Woolsey Johnson and his wife Jane, née Russell, and baptised in London. Her father was a vicar who opposed dissent in his parish and her mother a writer whose pedagogical materials and letters have proved useful for historians of epistolary literacy and informal education.
The Brunswick is one of several informal jacket-and-petticoat costumes popular in the later 18th century, derived from working class costume but made up in fine fabrics (usually silk). [2] Originating in France (based on a German fashion), the Brunswick was also popular in England and the United States as a traveling costume.
Beau Brummell set the fashion for dandyism in British society from the mid-1790s, which was characterized by immaculate personal cleanliness, immaculate linen shirts with high collars, perfectly tied cravats, and exquisitely tailored plain dark coats [18] (contrasting in many respects with the "maccaroni" of the earlier 18th century).
Beau Brummell wearing a subdued color palette of white, black, navy blue, and buff Luis Francisco de la Cerda in a lavish red justacorps, c. 1684.. The Great Male Renunciation (French: Grande Renonciation masculine) is the historical phenomenon at the end of the 18th century in which wealthy Western men stopped using bright colours, elaborate shapes and variety in their dress, which were left ...