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A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
The coat also features briefly in James Joyce’s Dubliners collection of short stories. In the story ‘Grace,’ the character of Mr. Power is wearing an ulster coat when he approaches the drunk Mr. Kernan: “a tall agile gentleman of fair complexion, wearing a long yellow ulster, (coming) from the far end of the bar…” [6]
A top-frock coat may also be worn over a frock coat in milder weather. Shaped like the body coats popular in the Victorian and Edwardian periods , the over-frock coat was cut in essentially the same way as the frock coat that was worn under it, although it would be larger overall to accommodate the frock-coat worn underneath.
The Paletot coat, a coat shaped with side-bodies, as a slightly less formal alternative to the frock overcoat. The Paddock coat, with even less shaping. The Chesterfield coat, a long overcoat with very little waist suppression; being the equivalent of the "sack suit" for clothes, it came to be the most important overcoat of the next half-century.
Victorian fashion consists of the various fashions and trends in British culture that emerged and developed in the United Kingdom and the British Empire throughout the Victorian era, roughly from the 1830s through the 1890s. The period saw many changes in fashion, including changes in styles, fashion technology and the methods of distribution.
The garment began in the 1850s [contradictory] [1] as the Inverness coat, an outer coat with sleeves covered by a long cape, reaching the length of the sleeve. [ i ] By the 1870s, the cape was divided in two, and a small "capelet"-like "wing" on each side was sewn into the side seams, not taken across the back. [ 2 ]