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This chapter is possibly the most well-known of the work, and it is important because of the reasoning behind Machiavelli's famous idea that it is better to be feared than loved. [27] His justification is purely pragmatic; as he notes, "Men worry less about doing an injury to one who makes himself loved than to one who makes himself feared."
As a result, a ruler must be concerned not only with reputation, but also must be positively willing to act unscrupulously at the right times. Machiavelli believed that, for a ruler, it was better to be widely feared than to be greatly loved; a loved ruler retains authority by obligation, while a feared leader rules by fear of punishment. [44]
The Second Decade (Italian: Decennale secondo) is a poem by Italian Renaissance writer Niccolò Machiavelli. Published in 1509, it is an update to Machiavelli's earlier work The First Decade ( Decennale Primo ), published in 1504.
Machiavelli, after all, lived at a similar inflection point in history. Florence, one of the great Renaissance republics, was being transformed into a monarchy even at the moment he was writing.
A modernized version of Apuleius' The Golden Ass (rather than a translation of it), it is written in terza rima. It also concerns the theme of metamorphosis, and contains grotesque and allegorical episodes. In the poem, the author meets a beautiful herdswoman surrounded by Circe's herd of beasts (Canto 2). After spending a night of love with ...
Thoughts on Machiavelli is a book by Leo Strauss first published in 1958. The book is a collection of lectures he gave at the University of Chicago in which he dissects the work of Niccolò Machiavelli. The book contains commentary on Machiavelli's The Prince and the Discourses on Livy. [1]
This interpretation is supported by the fact that Machiavelli wrote in Italian, not in Latin (which would have been the language of the ruling elite). Many contemporaries associated Machiavelli with the political tracts offering the idea of "Reason of State", an idea proposed most notably in the writings of Jean Bodin and Giovanni Botero.
The Belfagor fable was the basis of a poem by Luigi Pirandello. The Romanian writer and satirist Ion Luca Caragiale wrote a version of the story: in Kir Ianulea, the demon takes the human form of a Greek merchant who arrives in Bucharest. The plot retains similarities with the original, with the author even mentioning Machiavelli's story.