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Art was censored by the government and artists were urged to create works that endorsed socialism. The dominant theme of Albanian paintings was the proletariat, the backbone of the socialist system. Much of the country's art focused on domestic scenes such as men working in the fields and women feeding chickens.
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Kushi was born 1885 in Shkodër, where he spent his childhood and received first art impulses through the paintings of the famous Albanian painter Kolë Idromeno. He studied Fine Arts between 1912 and 1914 in Belgrade, when he was forced to interrupt the lessons due to the outbreak of World War I. After the war he went back to Belgrade where he ...
Landscape art by school (3 C, 13 P) Landscape artists (3 C, 144 P) Pages in category "Landscape art" The following 13 pages are in this category, out of 13 total.
Landscape with the Burial of St Serapia; Landscape with the Fall of Icarus (de Momper) Landscape with the Finding of Moses; Landscape with the Good Samaritan; Landscape with the Port of Santa Marinella; Landscape with the Temptation of Christ; Landscape with the Temptation of St Anthony (Lorrain) Landscape with the Temptation of St Anthony (Savery)
Landscape paintings (23 C, 358 P) L. Landscape painters (5 C, 91 P) M. Paintings by Joos de Momper (31 P) Pages in category "Landscape painting"
The Encyclopedia of Albanian Art or Enciklopedia e Artit Shqiptar is an encyclopedia that specialises in coverage in Albania, Kosovo, Macedonia, Montenegro and in the Albanian diaspora. It combines knowledge on a wide range of Albanian art, from painting and sculpture to cinema and theatre .
In Europe, as John Ruskin said, [78] and Sir Kenneth Clark confirmed, landscape painting was the "chief artistic creation of the nineteenth century", and "the dominant art", with the result that in the following period people were "apt to assume that the appreciation of natural beauty and the painting of landscape is a normal and enduring part ...