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This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
Front cover of Commentary Critical and Explanatory on the Whole Bible Map of Palestine from the Commentary, Critical, Experimental, and Practical. The Jamieson-Fausset-Brown Bible Commentary refers to a biblical commentary entitled a Commentary Critical and Explanatory on the Whole Bible, prepared by Robert Jamieson, Andrew Robert Fausset and David Brown and published in 1871; and derived ...
The Biblical commentaries written by Matthew Henry. Henry's well-known six-volume Exposition of the Old and New Testaments (1708–10) or Complete Commentary provides an exhaustive paragraph-by-paragraph (or section-by-section) study of the Bible, covering the whole of the Old Testament, and the Gospels and Acts in the New Testament. Thirteen ...
Like Psalms 146, 147, 148, and 149, Psalm 150 begins and ends in Hebrew with the word Hallelujah. [3] Further, David Guzik notes that each of the five books of Psalms ends with a doxology (i.e., a benediction), with Psalm 150 representing the conclusion of the fifth book as well as the conclusion of the entire work, [4] in a more elaborate manner than the concluding verses which close the ...
The Word Biblical Commentary (WBC) is a series of commentaries in English on the text of the Bible both Old and New Testament. It is currently published by the Zondervan Publishing Company . Initially published under the "Word Books" imprint, the series spent some time as part of the Thomas Nelson list.
Scott's Commentary On The Whole Bible originally appeared in 174 weekly numbers starting in January 1788, and went into multiple editions. By the time of his death in 1821 nearly £200,000 worth of copies had been sold in England and America (where it was particularly popular), but Scott made only £1,000 profit from the work, having sold the ...