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An example of a prolation canon. Play ⓘ Agnus Dei from Missa l'homme armé super voces musicales, by Josquin des Prez. In this example, the first 12 bars of the Agnus Dei II of the earlier of the two masses Josquin wrote based on the L'homme armé tune, each voice sings the same music, but at different speeds. The top voice is barred in 3/4 ...
Example of a canon in three voices at the unison sung with a text of a German poem, four beats apart. In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc
Most of the movements feature pairs of mensuration canons. The interval separating the two voices in each canon grows successively in each consecutive movement, beginning at the unison, proceeding to the second, then the third, and so forth, reaching the octave at the "Osanna" section in the Sanctus. The four voices each sing in a different ...
In a mensuration canon, each voice sings the same notes, but the length of time each note is sung differs. The opening Kyrie of Josquin's mass contains consecutive mensuration canons based on each phrase of the L'homme armé tune, with the tenor leading each and the other voices entering in turn. [ 7 ]
Instead of being based on a fixed cantus firmus, each movement is a mensuration canon, with the interval of imitation expanding from the unison to the octave during the course of the mass (Leeman Perkins called this "the most extraordinary contrapuntal achievement of the 15th century", and compared it in scope and execution with the Goldberg ...
The canon is also restricted to the highest voice, and the pitch interval between the voices is fixed while the temporal interval varies between one and three breves depending on the mensuration. The two free voices generally do not participate in the imitation. [ 2 ]
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Musical Time: Mensuration & Prolation from Belle Voce Chicago (YouTube video) Mensuration - an introduction by Alain Naigeon; GB-Ob MS. Canon. Misc. 213 from DIAMM; the top of p.135 illustrates the symbol used to denote the prolation and tempus of O dolce conpagno se tu voy cantare by the Italian dancing master Domenico da Ferrara